As you'll see from the numbering this is a return to Chapter 2. I have taken a square cropped section from two of the computer generated designs and created an all over pattern. The new shapes and diagonal rhythms in particular I find rather attractive.
The design below is one of the hand-drawn spirals from Chapter 1 made into a repeating pattern.
Below are two versions of this idea worked on soluble fabric. 2:39 is worked in dyed sari waste, 2:40 is again worked in sari waste but with the inclusion of velvet circles and some hand stitching. The velvet, which I'd included (against advice) to add depth and richness suffered through the washing process.
A further experiment using dyed gimp to create the spirals in 2:38 with narrow velvet inserts was again disappointing. I had hoped to produce a lace-like fabric, but the thread colour I chose (light grey) dominated. Definitely a case of trying to run before I can walk! Couching the spirals on to a fabric is probably a better technique.
There is something about the comfort and pleasure of hand stitching. Not a new observation, I know, but one I enjoyed recognising at the exhibition "Frayed" in February last year. I hope that these thoughts will echo again when I listen to a talk next month about John Craske at our local bookshop.
Below then are spirals of pleasure and comfort exploring hand-dyed and bought threads on hand-dyed habotai silk, silk organza and patterned cotton.
Running stitch and couched spirals.
A number of stretched springs offset in different thicknesses of thread, including fine metallic which was also used to couch the self-dyed gimp. The design is a response to the monoprinting beneath.
Ready patterned and hand-dyed cotton were the base for this sample. This time I used the stair edges as the design motif for the stitching. What appeared on the fabric was a flowerbed!
This sample began by exploring spirals created by straight lines using a variety of space-dyed threads. As the piece evolved -- and it may not be finished yet -- I added couching, fly stitch and wrapped spirals more reminiscent of barbed wire than staircases.
After two years of studying Photography, latterly a City and Guilds Level 2 course, I'm returning to Embroidery and Textiles and the City and Guilds Distance Learning Course I started some years ago. This blog helps me keep in contact not only with my tutor but also with others on the course. I've discovered it's also a brilliant way of looking objectively at my work.