Today I've experienced the highs and lows of drawing. compared with the oil pastel pear this is a dismal failure. It's been difficult with a more a limited choice of Stabilo colours to achieve the same richness. It may in part be the flat-looking background and maybe I need to work into this. There's a slight suggestion of depth in the Ligularia, but no more than that, and few of the lovely directional markings. This attempt serves only to show up the weak composition (the Modigliani Pear is still causing trouble). Oh dear.
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