A few years ago when I took my photography course we spent a session designing, mostly little more than playing, and so it was great fun to return to using the computer in that way. The first image in this sequence (2:21) is one of the experiments from that time and strangely enough the flowing loops and spirals here are what I found myself making on my mono-printing on paper and as you'll see later on fabric.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpV0709QvrrTNcvGOfdS49CSoiMVi7B1SHIVHwuTl9wqodkc1MZO4ArbVdpo6qvQHce6fb6M4bWqe1aPg2tt94tRnPHynnOvPz4pQVi65cpo7L0LBHzMYOflO_c1O-6HR-LFLLUICBr0w/s1600/Mark+Making_0046_edited-1.jpg) |
2:21 |
Below is the same flowing looping line this time tried out using Scribbler Too.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqcYuNlH4jqnNQM-byyOPeGH2zHGc0f4OHy88IbrzdJHR-pzwz3SHqFJXhhKHBI4-JmhLDDpIgmlXKs4KYeX2f5LjDFtCYpst2UZT41YHWgEOQFNbZcD0UBgBkAz_JTTho9AmHqVDmkc4/s1600/Scribbler_1.png) |
2:22 |
And now back to Photoshop where I've modified a simple drawing of four spirals and then simply played with a number of treatments. It's been possible to vary the thickness of the brush from thick and floppy to the delicate mark created by a single hair. The spirals' tones can be made more muted,(2:24) or gorgeously alight (2:26), fragmented (2:24), beaded (2:28) or deeply textural (2:27).
Love the embossed 2.27 image, for me embossed gives a great dimension and feeling of photos that is not initially seen..enjoy!!!
ReplyDelete