After my last shocking visit to my field I've been rather reluctant to resume going there. This turned out to be a pity.
It's a lovely morning, and I'm driving along earlier than I usually do: this is my tenth visit and three weeks since my last one. With all the usual paraphernalia and my little beach chair I push a pathway through to my usual spot. The grass is lush and tall; when I sit down it's almost as if there is a bank on which the grass is growing. It's so tall it masks the rest of the field, and when I sit down it's taller than me. There is something very lovely about this green enclosed world. It's beautifully warm, there's a blue sky with soft clouds and birdsong.
3:22 |
My main priority today is to add drawings to my walking record. I don't take the camera: the plan is to focus on this task and then if I want to take photographs to do that as a separate thing. There are really lovely things to notice: at least nine different grass forms, red and white campions and poppies amongst the grass, dog roses in the hedge, their thick lower trunks a series of bold parallel lines with huge pairs of thorns. Bird song's in the air the whole time. I'm marking this in a machine stitched rhythmic mark, my steps in the spring of linen thread. My mind is working on a number of levels digesting what I see and thinking about translating sound and movement into stitch.
The grass and flowers have gradually reduced in height as I walk along. Looking up my emotions are caught out in the same way as when I saw the hare last time, for the whole is now a prairie: brown and parched with occasional faded yellow rape plants. No longer fresh green capped with a haze of yellow, only frowsy seedheads clinging to blackened plants. When did this happen? How did it happen? Two tractor lines intersect at some point, possibly a clue. How I wish I had kept to my routine. A single skylark swoops into the field from the oak tree disappearing into a scruffy brown clump. Is there still a nest? And how could the lush growth where I was sitting still be looking as it does?
3:23 |
3:24 |
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