Monday, 14 November 2011
In Margaret Pascoe's book she discusses those who work straight onto fabric and those who need to draw their design on paper first. Thank goodness for squared paper! I found this disconcertingly complex and it took many attempts before I could really see what was happening. It is lovely in a very formal way and the continuous running stitch gives the appearance of the stitches being embedded in the fabric. I also like the strong sense of directionality.
Having scaled up shapes on graph paper I thought it would be interesting to layer different sized hexagons using different thicknesses of thread. The hexagon shape reminded me of fish scales and the wedding dress fabric I used for September's drawing project. The fine and thick threads work, but the medium weight thread needs to be a little heavier. I also think I needed to work the stitching more densely to see whether the idea has any merit!
Sunday, 6 November 2011
Fish Shop Inspirations
Holt is the small Georgian town three miles from where we live. It's where The North Norfolk Fishing Company has its shop. The displays are wonderful -- fresh and inviting, ice packed around the newly caught sea-food. I find it inspirational and so have found myself buying, drawing, photographing and eating my way through mackerel, herring and rainbow trout. Their varied markings and gleaming skins are quite stunning.
Friday, 28 October 2011
Module 2 : Abstracting a Design From Animal Markings
1. White Chalk Letter Patterns on Black Tissue Paper.
2. Splattered Ink on White Cartridge Paper.
3. Shreds of Shiny Colour Supplement Paper.
4. Black Felt-tip on White Cartridge Paper.
5. Charcoal Scribbles on White Cartridge Paper.
6. White Chalk Multi-directional Rubbings on Black Tissue Paper.
7. Sgraffito -- Black Crayon over White Chalk.
8. Black Acrylic Paint applied with Credit Card.
9. Rectagles of Newsprint applied Directionally.
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